Publications

Published Artworks

1995
Untitled (from Veiled Men), Homogenius Four, artists' limited edition boxed set, Toronto

1993
Still (pagework), Homogenius III, limited edition artists' magazine, Mercer Union, Toronto
Repose (pagework), Sensoria from Censorium, Vol. II, ed. John Marriot, Mangajin Books, Toronto

Repose, in Censoria from Censorium

Bibliography

2021
Michael Davidge, The Arnold Trevor Tolley Art Collection, Carleton University, Ottawa

2007
Martha Langford, Scissors, Paper, Stone: expressions of memory in contemporary Canadian photographic art, McGill-Queen's Univertsity Press, Montréal

2003
Penny Cousineau-Levine, Faking Death: Canadian Art Photography and the Canadian Imagination, McGill-Queen's University Press, Montréal

2002
Karl-Gilbert Murray, Le Corps gay/The Gay Body, catalogue, Centre d'exposition du Vieux-Palais, St-Jerôme

1998
Robin Metcalf, Dressing Down, catalogue, Oakville Galleries

1997
Alison Gillmor, Drag City, C Magazine, #52, Feb-Apr 1997, p. 41

1996
Andre-L. Pare, Fabrications: Mauvais genres, Etc Montreal, No 36, Dec 96/Jan 97, p. 44-47 and cover
Don Mader, Verschleierte Manner (Veiled Men), Euros, Nr. 36
Robert W. G. Lee, Fabrications, Parachute #84, Oct/Nov/Dec 96, p. 65-66
Martha Langford, The Idea of Album, Blackflash, V.14.4, Winter 1996, p. 4-7

1995
Bas Vroege, Obsessions: From Wunderkammer to Cyberspace, catalogue, Foto Biennale Enschede, Rijksmuseum Twente, Enschede, Holland
Mary Jo Hughes, Hamish Buchanan: Veiled Men, catalogue pamphlet, Agnes Etherington Art Centre, Kingston
Kim Fullerton, Fabrications: Hamish Buchanan, Catherine Opie, David Rasmus, catalogue, Toronto Photographers Workshop, Toronto
Debbie O'Rourke, The Pressing of Flesh, Artword, Fall, p. 8-11

1994
Steve Reinke, Excerpts and Commentary on Dreaming of You, Border/Lines, Fall, p. 29

1993
Lisa Gabriella Mark, The Pressing of Flesh: A Photo-Based Investigation of the Male Nude, catalogue, The Floating Gallery, Winnipeg

1992
Doug Townsend, 100 Years of Homosexuality, catalogue, The Photographers Gallery, Saskatoon
Jan-Erik Lundström, Real Stories: revisions in documentary and narrative, catalogue, Museet for Fotokunst, Odense, Denmark
Clamorous Intentions (curatorial collective), Redressing the body, exhibition brochure, Garnet Press Gallery, Toronto
Lisa Gabriella Mark, The Pressing of Flesh: parallel meditations on the male nude, Bordercrossings, V.11, #3

1989
Vid Ingelevics, Tentative Spaces on a Postmodern Stage, Views, V. 6 #2

Partial view of the nstallation of Veiled Men in Avatar: Of postmodern times and multiple identities, De Oude Kerk, Amsterdam

Writing

1997
Ornament, decoration and camp transcend their kitsch upbringing (Rococo Tattoo at The Power Plant), Xtra!, #331
Blind Bird in Flight (excerpt from a novel-in-progress), Suggestive Poses: Artists and Critics Respond to Censorship, Lorraine Johnson, ed., The Riverbank Press/Toronto Photographers Workshop, Toronto, p. 53

1993
Robert Flack (obituary), Xtra!, #235, and Parallelogramme, V.19, #36
The Cloak of Invisibility and The Luxurious Object of Display, essay for The Pressing of Flesh, catalogue, The Floating Gallery, Winnipeg
The wild boys: Evergon exhumes homoerotic culture, Xtra!, #220
Get the Idea? (General Idea's Fin de Siecle at The Power Plant), Xtra!, #218

1992
Straight Back in Their Eyes: Some thoughts on seeing through difference, essay for 100 Years of Homosexuality, catalogue, The Photographers Gallery, Saskatoon
Red hot and taboo (on Robert Flack), Xtra!, #209

1991
Body-positive invocations: Robert Flack's Empowerment, Views, Toronto Photographers Workshop, V.8, #2

1990
On Mapping a Decade, (with Nina Levitt), Public Exposures: One Decade of Contemporary Canadian Photography, catalogue, Toronto Photographers Workshop, Toronto
Canada in the World: at the Fotographie Biennale Rotterdam II, Views, Toronto Photographers Workshop, V.7, #4

1988
Belief Structure (at Mercer Union, curated by Andy Fabo), Vanguard, December
Putting Myself in the Picture: A Political, Personal and Photographic Autobiography, by Jo Spence, and Winogrand: Figments from the Real, by John Szarkowski, (book reviews) Photo Communique, Summer

Some Partial Continua at Foto Biennale Enschede